What is your typical studio routine?

My routine varies depending on the project. When I get to the studio, it takes me a while to settle in; I put on music and clear the space from the day before. I’m usually waiting on paintings to dry between layers, so it’s good to have a few on the go.

How do you describe your practice?

My paintings centre on childhood and family relationships, drawing inspiration from nostalgia and Renaissance art. I hope to convey a sense of surreal, dreamlike states and alternative realities through figurative and abstract elements, incorporating vibrant pastel colours and experimental mark-making techniques.

Is a particular process or methodology within your practice important to you?

I don’t follow a particular process or methodology and I’m never quite sure how a painting will turn out until it’s finished. So when I’m in the studio, my main focus is on experimenting and having fun with my work rather than adhering to a strict set of rules. I prioritise spontaneity in my process, allowing myself to explore different possibilities. I try to tap into my intuition and let ideas flow naturally, allowing me to create personal work. I try to approach the painting with a sense of playfulness; this helps me stay engaged with my work and enjoy the creative process.

How long have you been working as an artist?

I’ve been painting consistently since graduating in 2016. Since then, I’ve been lucky enough to hold studio spaces and go full-time in 2019. I Joined QSS in September and have been mainly working on a body of paintings for an upcoming show. Returning to the studio environment over the past year helped me find my feet again with my practice and create a better work/life balance.

Is it difficult being back in the studio after an exhibition?

I feel like an art studio isn’t a studio without work, so returning to a space is strange after creating a body of paintings. It’s also a refreshing experience, allowing for stepping back and reflecting. I’m nervous and excited about the body of work I have leaving the studio in a few weeks.  If it feels too soon to start painting after returning to the studio, I’ll take a break, patch up the studio space, and find new sources of inspiration before exploring new ideas and developing new work.

What jobs have you done other than being an artist?

I mostly worked in bars around Belfast and painted during the day. Along the way, I had the opportunity to facilitate children’s painting classes and quickly realised just how much I could learn about creativity from them. Children approach art with a vivid imagination and a lack of self-judgment. Seeing how these qualities could lead to original and creative work was so inspiring. Working with children helped me to appreciate the importance of embracing natural creativity and not being afraid to experiment.

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